Gail Cunningham's Plumage opening reception 5:30-9:30
This show is the first time we have ever collaborated on cups and judging by how much we love the out come it won't be the last. Gail did the design for these cups and Sean Gilvey (co-owner of Hudson Beach Glass Philadelphia) made the cups.


This is just one of the two designs we are doing for Plumage. We are only making 75 of each design. All of the cups will be signed by both artist and numbered. They are $65 each.
In addition to the above cups we are showing ten of Gail Cunningham's cut paper pieces. Each one of these is cut from a single piece of paper. Below are 6 of the larger pieces. Gail's artist statement is at the end of this post.
Flock of Birds Couch
20”x 32”
$1600
Hammer and Saw Couch
25.5”x 18”
$1400
Hidden and Captured
19.25”x 19.25”
$900
Bell Jars and Lace
17”x 18.5”
$900
Chair Vines
12”x 14”
$750
Twisted Buildings II
18.75”x 25.5
$1400
Artist Statement:
My work centers around a fascination with social organization. The format of the house and its interior anatomy influence how we position ourselves in social environments. I tend to work in metaphor using rooms and buildings as a way to stage an interaction with various forms of seating, which have become my stand-in for people. I have always veered away from using figures in my work, because the body is something that is so personal. I want to work with imagery that you can take a few steps back from. Chairs, beds, and sofas, are all examples of furniture that shadow the human figure, their primary function being to hold a body. The way a piece of furniture holds you and the way it looks effects how you experience your environment. The hard and simple feel of the Shaker ladder back chair stands stark in comparison to the lavish and opulent style of a Louis XV sofa or arm chair, where the upholstery and button tufting become defining plumage. Much in the way a peacock will flaunt his feathers, we broadcast our individual aesthetic through objects and their arrangement like plumage. It is a way to explain ourselves, our likes and dislikes, and to attract or repel others. With that in mind, these pieces reflect different relationships I have experienced, relationships with others as well as with myself. I invite the viewer to imagine entering these rooms, coming upon these pieces of furniture, these staged scenarios, and to be aware of the level of comfort or unease it creates, or how one feels when situated in a particular piece of furniture.
All of these pieces are cut out of a single sheet of paper, making them fragile and lace-like. While I often find the design phase of the work grueling and a daily test of will, the process of cutting paper is meditative and cathartic for me. The finished work and the process become a place where I can exert control and a sense of perfection that is seemingly otherwise absent in daily life.